The proposed research project aims at the systematic documentation and critical analysis of the fifteenth Panhellenic Art Exhibitions, which were organised between 1938 and 1987 and were the most important periodical large-scale art exhibition in 20th century Greece. This study based on extensive research in state and private archives, state and private art collections, as well as in the daily and periodical press, shall provide us with essential information about the artistic production of each era (e.g. the dominant artistic trends), the means of State intervention in the arts and the trends within the art market. Finally, it will look at the art criticisms, which formed the dominant aesthetic canon, by promoting certain artistic criteria and consequently influencing the reception of the artworks by the public and the direction of the artistic production in Greece.
Detect and Attribute agricultural droughts to Anthropogenic Climate Change
Advanced spectro-bathymetric mapping of shallow seafloor using UAV imagery and deep learning techniques
The aim of the research project “Land Ownership and Family Farm Income in Nineteenth-Century Greece: The Unpublished Land “Registers” of the Kapodistrian Period (1830)” is to study a number of local agricultural statistics produced during the tenure of President Ioannis Kapodistrias (1828-1831) and hitherto unknown in the literature, and to utilise them in order to draw conclusions about the distribution of wealth and farm income in rural Greece at the end of the War of Independence.
The purpose of this research project is to produce a historical account of the evolution of Greece’s tobacco sector in the period that spans between the end of the Greek Civil War (1949) and the country’s accession into the EEC in 1981.
JaNet investigates the economic and sociopolitical role of the Janissaries in the 18th and early 19th centuries through their examination as a complex of interconnected networks in the ‘extended Mediterranean’ (including major Black Sea and Danubian ports). By studying the Janissary corps, the project brings forward a radically new historical analysis concerning, on the one hand, the role of Muslims in the Ottoman and wider Mediterranean commercial economy – a role largely ignored by the bibliography – and, on the other, the processes that led to the creation of diasporas and the dissemination of people and ideas among various Muslim communities in the area.
:The purpose of the proposed project is to establish an integrated spatial decision-making system in large-scale (Crete Water District) with the aim of: (a) precisely identifying irrigation needs, according to optimal crop yields and proper management of water resources; b) designing optimal adaptation scenarios for the agricultural sector in the light of upcoming climate change; and c) the dynamic integration of the above information through the creation of a platform for immediate and real-time updated information to be provided to businesses and entities, whose actions are directly related to the optimal design and management of land improvement projects in the Region of Crete.
In October 2019 the Ephorate of Underwater Antiquities in collaboration with the Laboratory of Geophysical Satellite Remote Sensing and Archaeoenvironment of IMS-FORTH undertook a scoping survey of the ancient harbour of Ierapetra (anc. Hierapytna) in Eastern Crete. The objective was to increase our understanding of the ancient harbour and its relationship with the present landscape. The survey examined the eastern mole, the modern harbour area and the western foreshore. The survey revealed a complex landscape, with changes over time that had not been previously noted and which affected the interpretation of the location and access to the ancient harbour. A series of previously unrecorded Roman structures were also identified.
Διαχρονικά τοπία πολιτισμού της Κρήτης: Αναδεικνύοντας τον θαλάσσιο και ορεινό πλούτο του Μιραμπέλου
Τhe Laboratory of Geophysical-Satellite Remote Sensing and Archaeo-environment participates in the project MAPFARM which is held under the auspices of the Democritus University of Thrace and funded by Hellenic Foundation for Research and Innovation. The lab has undertaken the task of the large scale geophysical mapping of various neolithic sites in Xanthi and Rodopi.
This inter-disciplinary network is concerned with the diachronic study of the temporality, spatiality and materiality of Mediterranean sacred landscapes in general.
This project produces new products and services related to the scientific documentation and the promotion of the Greek shipbuilding tradition and the Greek naval history using modern methods of digital recording and visualization and interactive presentation of the exhibits.
This project, part of the broader action Kripis II, aims at the pilot exploration of the soundscape of the Balkan and Mediterranean city, with an emphasis on the transition from the preindustrial to the contemporary city.
The BIOnian project aims at identifying, recording, mapping and developing "smart" tools for monitoring and identifying the Ionian Islands Region species that are related, supported or used as habitat for the Region's territorial resources.
The Russian religious artifacts (icons and ecclesiastical furnishings), held in museums, church or monastery collections in the Balkans and the Eastern Mediterranean, constitute a body of valuable monuments hitherto largely neglected by historians and historians of art. These objects acquire various interrelated religious, ideological, political and aesthetic meanings, value, and uses. Their transfer and reception constitutes a significant component of the wider process of transformation of the artistic language and visual culture in the region and its transition from medieval to modern idioms. It is at the same time a process reflecting the changing cultural and political relations between Russia and the Orthodox communities in the Ottoman Empire and its successor states in the Balkans over a long period of time (16th- early 20th century). In this dynamic transfer, piety, propaganda and visual culture appear intertwined in historically unexplored and theoretically provoking ways. Applying the cultural transfer approach in combination with the recent challenging openings of art history to visual studies and social anthropology, RICONTRANS aims: to map the phenomenon in its long history by identifying preserved objects in the region; to follow the paths and identify the mediums of this transfer; to analyze the moving factors of this process; to study and classify these objects according to their iconographic and artistic particularities; to inquire into the aesthetic, ideological, political and social factors which shaped the context of the reception of Russian religious art objects in various social and cultural environments; to investigate the influence of these transferred artifacts on the visual culture of the host societies.
Total project Budget: 2,859,783€
Total eligible project budget: 2,771,090€
European Community contribution: 1,662,654€ (60% of the eligible budget)
Beneficiaries contribution: 1,197,129€